Director Hughes was clear that she did not want a conventional melodic orchestral romantic comedy score for Forces of Nature she wanted something different. While he had an extensive career in jingle-writing behind him, he was still finding his voice as a film composer, as he freely acknowledges in the extensive liner notes to the new release from La-La Land Records.Īt the time, in the late 1990s, romantic comedy scores were usually lush, thematic works, quite often by the brilliant James Newton Howard. This was only Powell’s fifth credited feature film score. It’s also beautifully directed, with unusual visual flair for a romcom, by the gifted Bronwen Hughes.
The film is keenly aware of cliches and plays intelligently with our expectations. However, if you’re expecting it to play out like any of a thousand other romcoms, don’t be so quick to judge. Along the way, they have adventures and misadventures and discover a spark between them, causing Ben to question his plans to get married. On the way to his wedding, his flight encounters mechanical trouble, and he finds himself stuck at Washington Dulles Airport.īen and fellow stranded passenger Sarah (Sandra Bullock – the definition of a manic pixie dream girl here) decide to team up to get to Savannah by whatever method possible – train, car, bus. That said, it’s a lovely, cheerful, unexpected early work from the composer.įorces of Nature is the delightfully quirky tale of buttoned-down Ben (Ben Affleck), a writer so out of touch with himself that he’s only capable of writing blurbs for other novelists. Nobody will confuse his score for the (rather unjustly) forgotten 1999 romantic comedy Forces of Nature with being one of Powell’s seminal works. However, before he was one of the top composers in the business, Powell got his start with a range of gigs, just like any working composer.
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He’s also famous for creating the most groundbreaking and imitated thriller scores of the last 20 years for the Bourne movie franchise.
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Today, John Powell is best known as the musical maestro of the biggest animated hits of the last decade, including his epic masterpiece, How to Train Your Dragon.
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